The Bus – 2015 Writing Contest Runner Up

By Carly Gelsinger

I discovered the danger of my body on a packed bus in Timisoara, Romania. I stood with fifty American teens on a mission to share Jesus, and probably another fifty Romanians trying to make it to work on time. I could smell intense body odor from people reaching up to grip the arm handles. The bus driver swerved around tiny European cars down narrow cobblestone streets.

I was out to change the world.

I wore loose-fitting denim shorts and a camouflage print Christian T-shirt that said “God’s Army Girl.” My hair was pulled into a thin French braid on the back of my head. I felt warm drops of sweat on my cheeks from my thick-lensed glasses.

I thought I was so grown up, a missionary spreading the Gospel to the ends of the Earth, but really I wasn’t more than a little girl in braids.

I landed in Romania because I went to a teen conference six months earlier and checked a box on a brochure that said I was interested in going overseas to spread God’s word. I spent the following months scooping ice cream for seven dollars an hour and selling mistletoe bouquets during the holidays to raise money for this trip. I read the entry for Romania in the “R” book from my dad’s 1964 encyclopedia set, and studied the basics of their economy and government and customs. I counted down the days and prayed for the Lord to prepare the hearts of the lost in Romania.

I was prepared to do hard things for the Lord, but I wasn’t prepared for what happened next.

I was staring out the window, daydreaming about my dog back home when I felt something rough inside my underwear. It was moving around in circles, and it took me a second to realize that I was feeling somebody’s fingers. I whipped my head back to find a skinny middle-aged man with large black pupils reaching up my loose-fitting shorts and fondling me.

“Stop. That’s gross,” I said, stunned. I didn’t know how else to respond.

“Moolt,” the man said, as he pulled away, which is Romanian for thank-you. He slunk to another part of the bus and exited at the next stop.

Woozy and faint, I was unsure of what had just transpired, and I wasn’t sure I wanted to know.

The girls who were huddled around me on the noisy bus hadn’t noticed what happened. The bus kept speeding down narrow streets, and my hair was still in braids, and the Americans around me were still laughing and the Romanians were still trying to get to work on time. The world kept going around me, but something inside me had stopped.

The rest of the day played out like a dream. We got off the bus and passed out tracts to the peasants feeding pigeons in Timisoara’s town square. I prayed with a toothless woman in a headscarf to accept Jesus. I played tag with some street kids, who wanted their picture taken. They posed, giving each other bunny ears and flashing huge grins to show their gold teeth, as I snapped photos of them with my disposable camera.

That afternoon, we ate at McDonald’s. I ordered a Filet O’ Fish sandwich, which was crispier and more flavorful than McDonald’s fish sandwiches at home. I sat with outside with my teammates, eating my sandwich and Orange Fanta, shooing the pigeons away and watching Romanian teenagers sniff something from a paper bag.

It was a regular day for us in Romania, just like the last twenty before. Except for this day, I couldn’t shake the feeling of that man’s touch on my body. The scratchiness of the fingers, the roughness of his movements kept playing in my mind over and over again.

I had to tell someone.

I approached my female team leader Whitney in our dorm hallway that evening about the man who assaulted me, only I didn’t use those words. I told her someone made a move on me, and I explained that he put his hand inside my private part, careful not to be too graphic or inappropriate with my language. She fiddled with her lanyard necklace that held the whistle she blew at the group during the day. Although my voice quaked, I didn’t cry. It felt strange to hear myself talk about it, almost like I was telling someone else’s story.

“He came from nowhere, and then he was in my under pants,” I said.

“I’m sorry that happened to you,” Whitney said, but she didn’t look very sorry. She yawned and tossed her long brown hair behind her shoulders. At twenty-one, she was in charge of all the day-to-day operations of our trip, along with her 22-year-old male counterpart. They both seemed worn out all the time.

“I can’t stop thinking about what happened,” I said. Now I was starting to tear up. “He said moolt.”

“Well let’s not get too emotional about this. What were you wearing?” she asked.

“Khaki shorts,” I said.

“Shorts? Honey, you know you’re only allowed to wear shorts on non-ministry days,” she said.

“I know,” I said, feeling embarrassed. I realized I put myself in a tough spot by admitting I had broken the organization’s dress code. According to our handbook, repeated dress code violations could warrant getting sent home.

“So that man was wrong to touch you, but instead of dwelling on it, maybe we can use this as a good lesson on modesty. As sisters in Christ, we have to help our brothers to not stumble,” she said.

“OK,” I said. “You’re right.”

“If I had noticed you were wearing shorts earlier, I would have asked you to change. I take responsibility for that. But isn’t it amazing how God can use bad situations to teach us things? He is so good.”

“Yeah, very amazing,” I said, without feeling amazed at all.

“If you have any questions, don’t hesitate to talk to me. I’m here for you,” she said. She patted my knee, stood up, and said goodnight.

I lay in bed that night, trying to pray myself to sleep. I apologized to God for disobeying the dress code my leaders laid out for me, and asked God to help me forget what happened to me earlier that day. I fell asleep peacefully, but woke up in a sweat a few hours later from a dream where I was stuck on a bus in my khaki shorts, a legion of skinny men with dark pupils closing in on me.

The remainder of the trip, I glanced behind me often when on a bus. I crossed my legs, even when standing. And I never wore shorts.

I didn’t tell my parents or anyone back home about the incident on the Romanian bus. I showed them pictures of the cute street kids and talked about the people who accepted Jesus, and how good McDonald’s is in Europe, and all the things God taught me. The following year, I signed up to go to Romania again.

I buried the incident deep in the recesses of my mind in a dusty box marked failure because I never wanted to think about it again.

###

Ten years later, I sat by the window at my kitchen table on a snowy day in Boston. I flipped through the Boston Globe and my eyes landed on a story about a man who was arrested for groping high school girls. It all came back—the sweaty bus, the rough hand, the fish sandwich, Whitney’s reaction, and the nightmares that followed.

“I think I was sexually assaulted as a teen,” I blurted to my husband Joe, who was reading the sports section next to me.

“You think you were assaulted?” he asked.

I told the whole story for the first time, for him, but also for myself.

“They blamed you for wearing shorts?” he said, curling his lip.

“Well, they didn’t really blame me,” I said, but paused as the weight of his words hit me. I buried my head in my hands over our wobbly unfinished pine IKEA table.

“Wow,” I said without lifting my head. “They did blame me.”

I punched the table and screamed. All these years I spent in misplaced shame for something that should have made me mad. But as I bucked beneath my overwhelming rage, I recognized it like family. The anger had always been there, I realized, deferred to rot and stink under the surface. Now it was released.

I didn’t get better instantly or magically after that day. But I learned to hush the voices that want to keep me bound to shame and silence. I began to dare to believe the Other Voice who whispers grace and hope into a fragile heart.

I am not done healing, but I am released to begin.

————————

Carly Gelsinger is the 2015 Faith & Culture Writing Contest Runner-Up in the non-fiction category. Find her writing at Carly Gelsinger website

A Letter from FCWC Director

Cornelia Seigneurby Cornelia Becker Seigneur

On behalf of the entire Faith & Culture Writers Conference Leadership Team, I want to welcome you to the Expanded 2015 Faith & Culture Writers Conference – Rough Draft: From Blank To Beautiful. Last year you spoke, saying you wanted more time for fellowship and legroom — in short, more breathing space — and we listened. We added our Friday Mini-Retreat experience; we also have Art Stations in McGuire, where you can reflect on the conference visually. In addition, we will have a prayer room available to ponder your creative God-given calling. We truly hope and pray that you find inspiration, courage, and community during your experience with us. We need in-person connection and we intentionally want to be a creative community where everyone belongs and feels as though their story matters. Because it does!

After my life-changing accident in January, this amazing team that I serve alongside continued to move this conference forward, and without them there would be no conference! I am incredibly and humbly grateful for their service and friendship. Bethany Jackson has been so faithful, keeping us on task as our Executive Administrator; Marc Schelske serves as our Scribe and (new!) Launch Coordinator and all-around get-things done guy; Taylor Smith returns as the warm and amazing Communications Coordinator of our speakers (as you all know!); and Brooke Nicole Perry is once again our expert matching attendees with their Agents|Editor|Mentor; a big nod goes to Tony Kriz, one of our visionaries and Advisory Board Members; Leah Abraham, is our awesome Website Administrator; Matthew O’Connell, organizes our Faith & Culture Writing Contest; and Jody Collins, is our Volunteer Coordinator|Administrative Assistant. And, Committee members include: Kim Hunt, social media coordinator, Cayla Pruett and Rachael Metzger, creative space coordinators; Faye Strudler our Prayer Team Coordinator; and Stephen Carter, Writing Contest|Social Media Assistant. And, a huge thank you goes to Bethany Sundstrom-Smith for re-designing our website this year. Be sure to see our “Acknowledgments” page in your folder for complete list of thank you’s. So many folks are making this conference possible. We are also thankful to Warner Pacific College for their hospitality as our sponsoring host. Grace Kim and Melody Burton have made us feel very welcome, as they have worked behind the scenes with logistics and details. Thank you to Mimi Fonseca for coordinating our bookstore and Joel Santana, our meals.

Once again, we are honored that Martin French created our beautiful WORDS logo shown at the top of this letter; and Aaron Esparza returns as our photographer; Brad Ediger is recording all talks and sessions for you to purchase. And, we give a shout-out to the judges of our Writing Contest as well as Scrivener and Bedlam Magazine.

I do have a couple of notes to make you aware of. We are sorry to say that due to a family situation, Amber Haines and Erika Morrison are no longer able to be with us. And Nish Weiseth has to leave early so she will not be leading the afternoon mini-retreat small groups. But, Micah J. Murray and Karen Zacharias Spear are stepping in to join the co-led groups of  Seth Haines and Brooke Perry and Tony Kriz and Romal Tune

We serve a creative God who carved something beautiful out of nothing; and now He calls us to create, to fill the blank pages of our lives with our WORDS, our stories. We pray that you find a place of community and belonging here, and that you sense that you matter. May Christ be honored this weekend; may He give you the WORDS to share the stories that change lives.

 

Happy Writing and stay connected,

Cornelia Becker Seigneur  
Faith & Culture Writers Conference Founding Director 

www.corneliaseigneur.com         

 

A Welcome Letter from FCWC Director

Cornelia Becker Seigneur  By Cornelia Becker Seigneur

On behalf of the entire Faith & Culture Writers Conference Leadership Team, I want to welcome you to the Expanded 2015 Faith & Culture Writers Conference – Rough Draft: From Blank To Beautiful.

Last year you spoke, saying you wanted more time for fellowship and legroom — in short, more breathing space — and we listened. We added our Friday pre-conference experience which we are calling “Breathing Space-A Mini Retreat”; we also have Art Stations in McGuire, where you can reflect on the conference visually. In addition, we will have a prayer room available to ponder your creative God-given calling. We truly hope and pray that you find inspiration, courage, and community during your experience with us.

We need in-person connection and we intentionally want to be a creative community where everyone belongs and feels as though their story matters. Because it does!

It Takes a Village!
After my life-changing Accident in January, this amazing team that I serve alongside continued to move this conference forward, and without them there would be no conference! I am incredibly and humbly grateful for their service and friendship.

  • Bethany Jackson has been so faithful, keeping us on task as our Executive Administrator
  • Marc Schelske serves as our Scribe and (new!) Launch Coordinator and all-around get-things done guy
  • Taylor Smith returns as the warm and amazing Communications Coordinator of our speakers;
  • Brooke Nicole Perry is once again our expert, matching attendees with their Agents, Editors, and Mentors;
  • A big nod goes to Tony Kriz, one of our visionaries and Advisory Board Members;
  • Leah Abraham, is our awesome Website Administrator;
  • Matthew O’Connell, organizes our Faith & Culture Writing Contest;
  • Jody Collins, is our Volunteer Coordinator|Administrative Assistant.
  • Our Committee members include: Kim Hunt, social media coordinator, Cayla Pruett and Rachael Metzger, creative space coordinators; Faye Strudler our Prayer Team Coordinator; and Stephen Carter, Writing Contest|Social Media Assistant.
  • Huge thank you goes to Bethany Sundstrom-Smith for re-designing our website this year. Be sure to see our “Acknowledgments” page in your folder for complete list of thank you’s.
  • We are also thankful to Warner Pacific College for their hospitality as our sponsoring host. Grace Kim and Melody Burton have made us feel very welcome, as they have worked behind the scenes with logistics and details. Thank you to Mimi Fonseca for coordinating our bookstore and Joel Santana, our meals.
  • Once again, we are honored that Martin French created our beautiful WORDS logo shown at the top of this letter;
  • Aaron Esparza returns as our photographer;
  • Brad Ediger is recording all talks and sessions for you to purchase.
  • And, we give a shout-out to the judges of our Writing Contest as well as Scrivener and Bedlam Magazine.

A Couple of Changes.

I do have a couple of notes to make you aware of. We are sorry to say that due to a family situation, Amber Haines and Erika Morrison are no longer able to be with us. And Nish Weiseth has to leave early so she will not be leading the afternoon mini-retreat small groups. But, Micah J. Murray and Karen Zacharias Spear are stepping in to join the co-led groups of  Seth Haines and Brooke Perry and Tony Kriz and Romal Tune

We serve a creative God who carved something beautiful out of nothing; and now He calls us to create, to fill the blank pages of our lives with our WORDS, our stories. We pray that you find a place of community and belonging here, and that you sense that you matter. May Christ be honored this weekend; may He give you the WORDS to share the stories that change lives. I am so glad you are here!

Happy Writing and stay connected.

P.S. Please understand if I am not my usual, energetic self! Blame it on the concussion. Hey, you try surviving getting hit by an SUV and live to tell!

– Cornelia Becker-Seigneur

Cornelia is the founding Director for the Faith & Culture Writer’s Conference, and blogs at www.corneliaseigneur.com.  If you have any questions about the conference, you can email her at cornelia@corneliaseigneur.com.

Beauty and the Book Deal

esther emeryby Esther Emery

Click here to read the original post.

The first time I dreamed of being a writer I was fifteen years old. I wrote about it secretly, in my journal with a striped, padded cover.

I wrote about it in full-throated despair.

The dead-last child in a family of brilliant minds — mother writer, father poet, siblings singer/songwriter, ballet dancer, circus artist and would-be novelist — I had already swallowed this whisper, “There is not enough room. There is not enough room. THERE IS NOT ENOUGH ROOM.”

Twenty years later, I have a book deal. Take that, you nasty little whisper.

///

My first break came at the Faith and Culture Writer’s conference. Natalie Trust invited me, and she prayed for me. I was weak-kneed for all the reasons. I sweated out my pretty blouse and had to change my shirt before my pitch session, which was the last appointment of the afternoon. I paced a path in the carpet, asked twice if there was any chance of getting in earlier, heaved myself in and out of lounge chairs. Finally I walked in and laid my mostly finished manuscript, a work of years, on a tiny college classroom desk in front of professional literary agent, Blair Jacobson.

He said it sounded interesting. He’d look at it when he had the time. About ten days later my phone rang and it was him and he said, “This is really good.”

My heart broke out in song. Like this. “AAAAAAAAAHH….”  I thought, “I’m the best writer ever in the world!!!”

Then a couple of days later I hit the ground and thought, “Oh, no. I’m a fraud. I’m terrible. They’ve got the wrong person.”

Then I switched back and forth a few more times before I remembered that this isn’t actually the part that really matters.

What REALLY matters is…how much am I willing, to see and be seen? How much am I willing to peel back this skin and reveal the beating human heart beneath?

///

I’ve been on the slow boat. Chugga chugga chugga. I’ve had work to do on the inside and the outside. It was a shock to me — some days it is still a shock to me — to realize that I have somehow become a Christian writer. Somehow I am writing for the Christian writer’s market. I think someday everybody’s going to notice that this is me, ordinary old sinner me, who just slipped in to touch the Holy of Holies and then the whole game will be over.

But that doesn’t seem to be what’s happening. What seems to be happening is that I am being called forward to testify. In print. In a hardcover book published by Zondervan, next spring. I am being called forward to give spiritual nourishment and encouragement, and to lay out grace and hope.

///

It was a Thursday, when I received the offer. At my favorite coffee shop, with a warmed up cinnamon roll on a plate on the round, wooden table. I heard this whisper, “There is enough room. There is enough room. THERE IS ENOUGH ROOM.”

In the kingdom there are enough words to say what needs to be said. In the kingdom there are prayers enough to walk on. There are plenty of extra shirts to change into if need be. And the voice of scarcity and insecurity doesn’t win.

I still feel the temptation to put my head under the covers, one more time. I still feel whipped by the winds of ego, fame in one direction, failure in the other. But in this story, that isn’t how it ends.

Look out for my words on bookstore shelves, in 2016. Because I said “Yes.”

God doesn’t need another book – And other lessons learned

Leeanne_Sype_500  By Leanne Sype

If I had a dollar for every time someone asked me, “So when are you going to write a book?” I would be a kazillionaire.

My response is: “As soon as God gives me a book to write.”  Usually my remark elicits a reply of, “Oh” or simply a blank stare. Somehow the qualification for being a writer has come to mean either one has written or is writing a book and/or is also published or seeking to be published. Well, if this is the case then I guess I am not a writer because not only haven’t I written a book, but I don’t want to.

I’ve spent the last 14 years editing other people’s written works, yet I have been writing all my life. I have thousands of pages sitting in my office that I’ve written; essays, poems, journals, letters, etc.  I have a few articles and newsletters that are published, but probably not in anything you’ve ever seen. And I have a blog. I’ve been writing on my blog since 2009; sometimes I post regularly and sometimes I don’t.

I am essentially unknown in the writing industry. Does this mean I am not a writer? Of course not! Does this mean I am not a “real” writer?  Of course not!

Look, I went through the (10-year) internal battle of  “Am I a real writer even though no one knows who I am and may never know who I am because there are…

…a million people who write way better than me,
…who have published a book,
…who have at least 35,000 followers,
…who blog five times a week,
…who guest blog three times a week,
…who speak at conferences,
…and who are now working on their second book?

Oh my gosh, I need to write a book, something really good so I can be the “real” writer I know I am supposed to be. ”

This was stressful for me because I didn’t want to write a book, and I am not a believer in writing or doing anything merely to fit in with cultural expectations. Yet, I knew I was a writer. Something wasn’t lining up.

Then I heard angels sing a harmonious “Ahhh” when Wm. Paul Young  spoke at the 2013 Faith & Culture Writers Conference. He said:

“God doesn’t need another book. Or a movie. Or a song. It’s you He loves . . . He is a God who loves you with relentless affection, who does not need you to write a book . . . You don’t need it for identity if you know who you are. You don’t need it for security if you know who’s your provision. You don’t need it for worth if you understand how you’re loved.”

Young’s words changed my life. I became comfortable, in that very moment, with who I am as a writer. I am a daughter of God who writes out of pure love for her Father. (And I am the weirdo writer who doesn’t want to write a book. So what?)

Culture gives us mixed messages:

  • You are writer, own it—but you are not really legitimate until you are published and noticed by zillions of people.
  • Be a headline, shoot for the public by-line—but write something worth reading and be “authentic.”
  • Build your followers, grow your audience—but create real and meaningful relationships.
  • Find your voice and use it proudly—but don’t add to the noise because no one will pay attention to you.

Culture was driving me to build my own kingdom and it wasn’t lining up with my heart—my faith.  

I am not interested in building my own kingdom; I am interested in inviting people into God’s kingdom.  God gives us a different message: You are mine alone and I love you. All I want is a relationship with you.

From this perspective, God is my one and only—He is my audience, he is my publisher, he’s my editor. When I write for God, the pressure is off to adhere to worldly formulas and expectations for success. I am better able to find my voice and confidently use it to express my honest thoughts. I am a better writer when I write for God because I’m writing in response to and for the purpose of a deeper relationship with Christ. When I write to please God rather than to please culture, I give the Spirit within me permission to speak freely and the ability to connect with a reader better than I could have in trying to manufacture something I think a reader may want to hear.

Writing for God means this: before I write anything I pray, “Lord, I just want people to know you the way I know you. Instruct me in the way I should go.” I don’t worry about stats, I don’t worry about comments, I don’t worry about notoriety. I trust my work will land where He needs it to land and it will connect with whomever it needs to connect. God has been faithful in blessing me with a humble little audience and delightful conversations with people all over the world.  Somehow in writing to connect with God, I also connect with other people. Everything lines up beautifully when God is in control, and I don’t have to work so hard.

God created me to be a writer and it’s through writing I grow closer in relationship with him. That’s all that matters. He does the rest. I confess God has recently given me a book to write.  Why would a God who doesn’t need another book ask me to write a book? Have I mentioned I don’t want to write a book??

The book itself isn’t for God. It’s for me. Somewhere in the process of writing this thing, I’ll grow even closer to Him. That’s what He needs. I still don’t want to write a book, but I do want to be obedient. Now when people ask, “When are you going to write a book?” I’m working on it. But it doesn’t mean I will necessarily publish as culture would expect. After all, God has only asked me to write the book.

With this goal in mind, I am looking forward to Faith and Culture Writers Conference 2015 as a daughter of God seeking to be inspired on how to be better in her craft, for the purpose of lovely and pure obedience to a Father who doesn’t need another book but only a deeper relationship with me.

—————

Leanne Sype is an editor, writer, mom, daughter, and student of God; she’s a lover of coffee, writing, and orange pens. True to her word-nerdy, book-wormish nature, she adores editing and has been doing it for the last 14 years. This is her third year speaking at the Faith & Culture Writers Conference. Portland is her favorite place in all the land, but she’s living and learning life in the suburbs, writing everything down as she goes, and encouraging others to do the same. She attends a local church and lifts her best worship to the One who guides her life and my pen.  Follow her on Twitter or at her blog.

God moving in the heart via writing

Jane Halton photo MG_7648  By Jane Halton

I felt like a bit of a fraud when I signed up to attend the  Faith & Culture Writers Conference last year. I had recently started blogging and openly confessed it was more for my coaching business than my love of writing.  I knew I had to ‘get my name out there’ to grow my business so I started blogging. However, I was surprised by how quickly my love of writing grew! Blogging and tweeting connected me to a world of wonderful people. I couldn’t resist the opportunity to meet them in person.  So I signed up for the conference with fairly low expectations and mainly to learn from others.

I was thrilled with my experience! The conference drew a unique, beautiful and gifted group of people together. It was clear by the ethos, speakers, and conversations taking place, that there was more going on here than just “networking” and “skill obtaining improving.” People were making deep connections with each other and the connections previously made on line were being lived out in the flesh. Writing is such a heart-felt enterprise that it makes sense people would be deeply moved when hearing speakers like Sarah Bessey and Deidra Riggs while sitting in the company of fellow writers.

In addition to the depth, it was downright fun. I read a tweet by  Tamara Rice describing it as “One big awkward blind date” and another person was commenting on how we should write our twitter handles on our nametags because we are often more familiar with them. Although I laughed in every session, I also witnessed deep transformation.

For example, so many of the conversations I had while waiting for a session to start involved people telling me they came to hear Sarah Bessey.  Now I am a Jesus Feminist, I read Sarah’s blog and appreciate her voice but I always found her words encouraging and similar to the way I’ve thought for a while.  I met more women at this conference whose lives were deeply changed by Jesus Feminist (and Sarah’s blog).  People were finding their voice for the first time because someone told them they mattered.  Strangers welled up in tears as they talked about how writing had changed their life. I knew I would be back the next year and began to wonder about it.

As I continued to blog and coach (and coach bloggers), I grew in my understanding of how important the practice of writing and sharing your words means to people. Our passions, frustrations, encouragements and challenges all come out when we write.  The more writers I coach the more this rings true.

Because writing is so vulnerable, our identity is put on the table.

What will people think of this writing? What does it say about me if I write this or that? I want to be successful. I don’t want to be one of “those” writers. The list goes on. Our identity is wrapped up in what we write, for good or bad. And when you put a bunch of writers together this only gets heightened. 

But the Faith & Culture Writers Conference seemed to be taking strides to approach this differently.  Instead of competition and comparison, there was a spirit of camaraderie and encouragement. It made me want to get more involved!

I sent an email to Cornelia Seigneur, the conference director, with some ideas about how I would love to further serve this creative crew. I was quick to tell her that I’m not a prolific writer or even that serious of a blogger. I don’t know anything about professional editing or finding an agent. But I know that there is so much more going on with these writers than their need to find an agent or publish a book.

I was not surprised when Cornelia (and Jody Collins, the conference Volunteer Coordinator) replied with confirmation of what I was thinking. They explained they were adding to their mentor options additional one-on-one support for conference attendees by way of “spiritual mentors.”

Deeply moved by how God is working on matters of the heart in writing, the Faith & Culture Writers Conference planners wanted to give attendees an opportunity to debrief, process, and perhaps pray with someone.

I was thrilled when they asked me if I would be willing to return as one of the spiritual mentors.

There will be an opportunity to meet privately with a spiritual mentor during the Saturday morning, April 11 session.  The mentors will ask questions, listen well and give attendees an opportunity to process their experience at the conference and/or as writers in general. Often times this type of conversation is just what someone needs to get unstuck or find inspiration.

If this sounds helpful, please sign up for a spiritual mentor appointment when you sign in at the conference on April 10, 2015!


Jane Halton is one of our new Spiritual Mentors at the 2015 Faith & Culture Writers Conference. A certified coach, writer and speaker. She describes her coaching work as pastoral care meets your to-do list (or sometimes ‘blowing up evangelical baggage’). Using her coaching skills, an MDiv, wit and thought provoking questions she not only helps people figure out what really matters to them but also, what they’re going to do about it.  Jane is a Canadian who got lost in California for half her life (there is sadly no good Mexican food in all of Canada). She lives with her husband Dane and their two young and extremely chatty boys in Vancouver, BC. She loves reading, swimming and officiates creative weddings as a side gig. Sign up for an appointment with her when you check in at the conference this year. For more info visit:  janehalton.comTwitter or Facebook.

Killing Your Inner Critic (With Kindness)

Pam H by Pam Hogeweide

Click here to read the original post on Pam’s blog. 


 

“Have you ever prayed for your inner critic?” asked my dear friend Jane. We were sitting in a tree house her husband Tony had built. Not a tree-fort type tree house. But a Tree House, with windows and electricity and an upstairs and downstairs. We were in the upstairs part, built like a small sun porch with evergreen branches pressed against the window panes. A truly serene place and in this place my soul sister Jane had listened to me reveal the pounding I had been taking when it came to my writing. My inner critic had been on a rampage.

Who are you to think you have anything to say? You aren’t educated. You’re writing is too loose. Nobody cares if you write or not. Stop wasting your time. Kill your blog.

I revealed all to Jane who was more than just a friend, but also a sage-woman in my life.

“What if we prayed for your inner critic right now?” asked Jane in her gentle Jane-ness that endears everyone who comes in contact with her.  “Your inner critic is, after all… You. She is a part of you and that part of you needs healing. Why don’t we lay hands on her and pray?”

With our heads bowed down  and Jane’s hands covering my clasped palms, we prayed one after the other for my inner critic who is Me. I felt a river of freedom open up  in the hidden world within. Something had shifted it seemed.

Time would tell, as she always does.

Writers have many stories of contending with their inner critic. I heard of one writer who negotiates with her critic to wait ’til she’s finished up then she can rip into her writing.   Another  writer I met at a conference said she had written a break-up letter to her inner critic and that it really worked. And then there was the writer  who  confessed to murder. “I strangled him dead. Now I write in peace.”

I thought about these different methods for dealing with my inner critic : negotiate? write a letter? murder?

Who ever heard of praying for their inner critic? Leave it to wise, kind-hearted Jane to offer such loving guidance.

Time did tell. It worked. 

Within weeks my writing was flowing. The familiar critical voice was gone. There was silence … much of the time just quietness from the sidelines …  as I got on with the craft of writing one carved paragraph at a time. And then, she spoke again, but this time without unkindliness.

I really like how you’ve used this metaphor. What a great picture to convey that feeling.Your writing is getting stronger. Keep writing. Keep writing. Keep writing.

I began to write and blog with greater boldness and strength. Self-censoring began to fade out. My inner critic had become my inner coach and because of this,  I began to write with feverish liberty.

Within three years of that tree house prayer time, I published one book and began to write another. Once my inner writing critic became my inner writing coach, it was if I became a new writer. I was born again. My writing bones flourished as my writing voice soared.

It seems to me that there were three things that helped transform my inner writing critic to my writing partner:

  • Recognizing that my inner critic is not some disembodied voice out to get me, but she is Me, the fearful, anxious part of me who is scared of failure, rejection, abandonment, and worst of all for writers, a reader’s indifference.  Realizing who my inner critic was made it possible to reach in and love her.
  • Saying it out loud to a trustworthy, non-judgmental person.  Confession is good for the soul, and telling on my inner critic shined the light on a dark corner of my psyche. Reconciling this shadowy part of me meant confronting her … but with kindness rather than banishment!
  • Reconciling with my inner critic by embracing her and affirming her. I need her in my life. She is my hidden self, my inner creative who helps shape my writings. She’s meant well, but all that criticism coming from a place of fear and anxiety was not helpful at all. It tore me down. Building her up displaced criticism and turned her into my ally. My inner self and my outer self are more wholehearted when they (we!) get along.

If I could give new writers one piece of advice it would be this: Make friends with your critic. Don’t ignore them, punish them or threaten them. Instead, kill them with lots and lots of kindness. Your writing will flourish with greater boldness and fluidity without the weight of criticism being heaped upon your writing soul. Make friends with your critic. And Write On.


 

How to Pitch without Panicking

Chips_MacGregor_500 by Chip MacGregor

When I attend writers conferences, I spend a day or two listening to authors pitch their ideas. All sorts of people will sign up to talk with me, and they’ll have a variety of questions:

  • Will you look at my proposal?
  • Is this salable?
  • What advice do you have for me in my current situation?
  • Which publishing houses might be interested in my story?
  • How could I improve this proposal?”

I never know what I’m going to see or who I’m going to talk with, so I was interested when someone asked me this question: I’m getting ready for a writing conference, and while I think I have some great ideas for books, I find I always panic right before a pitch. I lose my train of thought (and my confidence), and have embarrassed myself more than once with rambling replies to agent & editor questions. What advice would you have for those of us who nerve out at key moments?

Happy to help. Here are my ten keys to pitching an agent at a writing conference:

1. Review your book. I’m assuming you’ve already written your novel, since nobody is really taking on new fiction projects unless they are complete (or, if it’s a nonfiction book you’re working on, you’ve at least written a good chunk of it). So go back and look it over. Remind yourself what it is you want to say about your book. Be ready to give me a quick overview at the start of our conversation  (“This is an inside look at the biggest crime spree in Nevada history, told by the detective who cracked the case” or “I’ve got an edgy suspense novel — 24 meets James Bond” or “Imagine if there was a way you could reduce your chance of getting cancer by 50%, and all it took was a simple change in your breakfast habits?”). In other words, be able to give me something interesting about your book in a sentence or two.

2. Create your script. Write out what you’re going to say about your book, word for word, so that you’re sure you cover all the essential elements in as few words as possible. Some conferences only give you three minutes to do this, though many give you ten minutes — which means you want to get through the book’s description in order to engage the agent or editor in conversation. So give me a quick fly-over of your story. Hit the major plot themes, say something about your lead characters, and reveal why it’s unique. Use specific images in your wording to make it stand out. And have an ending, so it’s clearly time to engage in conversation.

3. Practice your pitch. That is, you’re going to want to sit down with your script, and say it, out loud, as though I was already sitting across the table from you. Don’t skip this part — it’s what will make your pitch better and give you confidence. It’s what will best help you prepare, so you don’t get tongue-tied once we’re actually face to face. (Sure, when you go into the bathroom to practice out loud, your family will think you’ve lost your mind. Don’t worry! When you told them you wanted to be a writer, they already determined you had lost your mind.) I think knowing what you’re going to say and having already practiced it out loud is the single best thing you can do to develop confidence. You don’t really want to sit and read it to me. You want to sit and say it to me, which means you’ll want to go over this enough times that it just feels natural. You may bring your entire script with you to the meeting, or you may just bring an outline with your bullet points. But practice saying it before you sit down and start talking with me.

4. Find the highlights. Think through how you’re going to make your book stand out to an agent who is going to hear 50 pitches at the conference. Maybe you have a great opening line. Perhaps your story is related to today’s news. Maybe you have unique qualifications for writing this book, or a huge platform to support it, or an endorsement from someone fabulous. Include that in your pitch. Don’t oversell the book (I don’t want to hear that this is the best fantasy since The Lord of the Rings), but let me hear something that will make me remember it. As my mentor once said to me, “Don’t tell me your novel is funny — read me a line that makes me laugh.”

5. Research the agents and editors. I don’t represent children’s books or poetry or gift books. Yet I know somebody is bound to make an appointment with me and start by saying, “I’ve got this wonderful gift book of poems for children that I want to tell you about.” (Then, when I explain that this might be a fabulous project, but it’s not going to be a fit for me, they’ll looked hurt and panicked, and they’ll turn in a critical comment about me to the conference director. Sigh…) Look, what I represent is on my website. The books I’ve represented are listed on Publishers Marketplace and Publishers Weekly. I have a blog where I talk about authors and projects. Anyone who can’t figure out what I do and don’t represent simply isn’t trying very hard. So spend some time researching, to make sure you approach the right people.

6. Know what you want. I will often say to writers, “What’s your expectation for this meeting?” Do they want career advice? Do they want to talk about the salability of their story? Do they want to ask questions about creating a better proposal? Knowing what you want from the person you’re meeting is critical. And if it’s simply, “I want to find an agent to represent my work,” then have realistic expectations. You’re not going to get signed by an agent at a conference. (And if you get offered representation by somebody who hasn’t so much as read your work, be aware that you’re about to sign with a bozo.) A more realistic expectation would be, “This agent agreed my story sounds interesting, and he/she is going to go back, read my proposal, and engage me in a conversation of some kind.” This is a business, and you don’t race to say YES to the first guy who expresses random interest in your work. You do your due diligence.

7. Have something with you. I differ from a lot of agents in that I think you’re always best to have a short overview and some sample pages with you at the meeting. You may not get to them, but what if you tell me something and I say, “Holy cow — that sounds amazing! Can you show me some writing?” Publishers aren’t buying ideas, they’re buying writing. So having some with you is a good idea. I realize some conferences will dissuade authors from bringing any writing, since the fact is most of us won’t take pages with us — too bulky for a carry-on, the pages will just get bent, and we really just want to read it on a laptop anyway. Still, I like talking with an author, then having him or her show me the first couple pages of the book. That tends to reveal if this person is actually a writer, or just someone with a cool idea.

8. Look good. You’re meeting with a professional. Dress like one.

9. Be polite. Everybody likes meeting nice, interesting writers who can talk naturally about their books. Nobody likes meeting an arrogant know-it-all. (On more than one occasion I’ve had authors ask me to sign a non-compete before talking. Good grief… I decline, and start looking at my watch.) So have a conversation. Don’t stalk me. Show me you’re a real person. If you’re nervous, take a deep breath and tell me you’re nervous (I’ll say to you, “then forget the speech, and just tell me about the book you wrote”). Editors and agents are simply people working in the industry, the way you work in your field. Most are pretty good at what they do. You really don’t have to fear them, or act like you’re meeting the Royal Family. They are there to talk with you about your writing.

10. Listen to the response you receive.  Don’t be surprised if an editor doesn’t like your idea, or if an agent suggests changes. They could be all wet, but they’re trying to do their job by offering you some experienced perspective. So listen, take the criticism, and reflect later on whether or not you’ll implement their idea. But don’t use your small bit of time to argue. I think my least favorite part of one-on-one meetings is having an author argue with me — not because I’m always right, but because they paid money to come hear what I have to say, and now they want to haggle with me over it. (But, if you’re taking notes, I am always right.)


 

Chip is a book guy with a long list of credentials.  He’s a published author and popular writers conference speaker. He’s also a literary agent who has secured more than a thousand book deals for authors he has represented. Chip’s blog is regularly on Writers Digest’s list of  “101 Best Websites for Writers.”  Meet him at the 2015 Faith & Culture Writers Conference  Maybe you can even pitch you book to him! But SIGN UP soon as spots are filling up!

Stop hiding from fear of failure

Marc SchelskeBy Marc Alan Schelske

Like you, I’ve got a project I’m supposed to be working on.  I’m supposed to be completing the written content for an online course I’m developing.

Most of the time I’m pretty focused on getting things done. Most of the time. But right now, I’m finding myself infinitely distracted. So many things to do. So many justifications. Social media to build connections for my writing. Another round of research. Reading just one more book full of insights on how I can be a better writer or blogger.

Lots of things to do, but honestly, it’s all just a distraction. I’m feeling enormous pressure and resistance around the one thing I really want to be doing right now. Why?

Because I’m a perfectionist.

I care a great deal about every detail. I want the things that I do to be excellent. Beautiful things inspire people. As an artist, it’s far more interesting for me to engage in crafting something elegant. The world is better when people care about excellence. But there’s something more here, something darker.

Perfectionism is a shield that hides fear of failure.

If something were truly perfect, it couldn’t fail, right? At least that’s our myth. I’ve known incredibly talented musicians who spent years tweaking their songs, rather than releasing them, and writers who will write and re-write and re-write, rather than let another human read their work. Failing to move forward is its own smothering failure.

Anne Lamott named this demon exactly when she wrote these words:

“Perfectionism is the voice of the oppressor, the enemy of the people. It will keep you cramped and insane your whole life… I think perfectionism is based on the obsessive belief that if you run carefully enough, hitting each stepping-stone just right, you won’t have to die. The truth is that you will die anyway and that a lot of people who aren’t even looking at their feet are going to do a whole lot better than you, and have a lot more fun while they’re doing it.”

Stop hiding from failure.

Fear of failure is the real enemy, and perfectionism is its voice. This fear results in paralysis or, in my case, eternal distraction. If the book never comes out, then I’ll never be critiqued on my concept, or my theology, or my writing style, or my font choice, or the hat I’m wearing in my picture. That feels so much safer.

It is safer, but it’s not life.

Steve Jobs is famously credited as saying “Real artists ship.” They do the thing they say they do. They write, or sing, or dance not in their bedroom, but out in the world where it matters.

Maybe you shouldn’t be allowed to call yourself a thing–a writer for instance–until you’ve done it in a place and time where your failure would matter, where others could judge your performance, where you had to push through the fear of being rejected and do the thing you love anyway, out in public where everyone can see.

My heart says, “I will be a writer, if I can just write exceptionally well,” but I don’t think that’s true. The truth is that I am a writer when I push through the fear of rejection and failure and share my writing with you.  After all, we are all just rough drafts.

(Oh, hey! That’s the theme for this year’s conference: Rough Draft: From Blank to Beautiful! Letting go of perfectionism is a big part of that journey.)
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Marc Alan Schelske is the Launch Coordinator and crazy-note-taking secretary for the 2015 Faith & Culture Writers Conference. He loved attending the 2014 event that he came back this year to help! He blogs about intentional spiritual living at Marc Alan Schelske

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When writing, find your Nancy

Jody CollinsBy Jody Collins

When I began blogging almost 3 years ago I had absolutely no idea what I was doing. Maybe you’ve felt the same way?

I was welcomed by a few new online friends into the High Calling network and encouraged to pursue my passion.  In just three years, God has shown me a few things about the path I’ve chosen, this ‘writing for the world,’ and given me some perspective-makers to keep me focused: 

1. Find Your Nancy

As you’re tapping and typing away at your laptop or desktop computer, there IS no audience, it’s just you and Jesus and your words.  You send them out into the blogosphere and pray for a connection.  You hope they’ll land somewhere, maybe touch a chord and speak to somebody. At least that was my prayer.

Lo and behold, one day I got a comment on a blog post. (Yay! It’s Okay to do a Happy Dance when someone leaves a comment.) Someone actually read what I wrote and told me about it!

It was an encouraging precious word from a woman named Nancy.  And she showed up every week, to read whatever I’d written. In spite of my fears that my words were than less-than-profound, she’d remark on their depth or how encouraged she felt.  Every week since then she has read and commented on my posts.

Now I have a very small crowd of ‘regulars’—fellow writers/bloggers and readers who encourage me as well. But I always remember Nancy—to write just for her—as if she was the only one listening. It personalizes my writing, which makes it more relatable.  It also gives me hope.

2. Choose Your Words

Not everything is a blog post! Like the nurse logs in the Washington Coast rainforest, some things just serve as detritus for new growth.  You know all those sticky notes and backs of envelopes?  Those inspired scribbles from a Sunday morning sermon you wrote on the back of the bulletin?  The scraps of paper you found just in time to scratch a revelation on?  Yeah, you’re probably not going to write all that down…

Not everything gets into print—much of it is practice for the process, part of the pile—a paper detritus that is the growth medium for what you DO write. The Holy Spirit will quicken in you the words that need to see the light of day.  Some of it will serve as markers, sitting in your notebook or under a paperweight, reminding you of how far you’ve come. Just keep writing. Persist, and then choose the honest, compelling words to share.

3. Build Relationships.

I am no professional marketing person to speak to what ‘platform’ is.  I am a believer and a writer and simply offer my words back to God to use as He sees fit.  Looking past all the social media skills and conferences and platform building, I think the core truth is this:  Building your blog (or your writing audience) is all about relationships.  

I am not concerned with numbers or stats, really.  For me, it’s all about connecting. But how can you extend your reach? Widen your audience? By reading other peoples’ words, commenting when you can and having them click back and find you.  That’s how others will find what you have to say.  There are other voices that share your passion and vice versa.  Maybe it’s Patheos, maybe it’s The High Calling, maybe it’s an online magazine—like Ruminate or Relief Journal or of course, where you are at now, the Faith & Culture Writers Connection!

There becomes an overlapping of the circles that you find yourself touching, an ever-expanding Venn diagram of comments and topics and people.  I personally am interested in keeping my reach small so I can go deep, rather than being wide and therefore shallow.  You’ll find what feels right for you. But wide or deep, it’s all just relationship connections.

As you write keep these three things in mind.  Find your Nancy and write for her. Choose your words and persist. Build relationships. Do this consistently and you will see your writing and creativity move forward and impact people you never thought possible.
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Jody is the Volunteer Coordinator and Administrative Assistant for the Faith & Culture Writers Conference.  She blogs at threewaylight.blogspot.com.